Etree - OldNeumanntapr - 92 shows
Last Update: Sunday May 17, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (24) | EMAIL ]


DISCLAIMER:


NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!


I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.


IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.


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Nothing on this list is for sale!!!! These shows are available for trade ONLY!


                                                             


                                                                                                


I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!


 


Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.


I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      


After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.


I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.


(My masters are listed in the notes column on the far right side.)


If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.


My interests are rather varied, as you will see.


 


CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.


I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.


 


Soundboard and Audience recordings are graded on different criteria.  


An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.


Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)


Sound Quality Ratings:


A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 


Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com


 

View List:
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Blues For Salvador  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 01/23/88 Henry J. Kaiser Convention Center - Oakland, CA A Primary source: (Nakamichi CM-700s FOB split 30' either side of center >Sony D5) >DAT>DAT >WAV >SHN ************************************************************************ SHN >WAV >FLAC + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ Comments: In addition to the primary source, additional sources were used for splices: Source B: AUD(unknown mic/taper)>?>C>C>DAT - d1t06-t08, d3t11-12. Source C. SBD Hi8 Video Master>C>C>DAT - first couple of seconds of d2t14 and d4t02. Disparities in overall recording levels were resolved with SF6 gain/attenuation. Multiple sources provided on DAT via Jim Powell. DAT>WAV(Sony PCM-R500>M Audio Audiophile 2496>Soundforge 6.0), editing/splcing(Soundforge 6), and SHN encoding (mkwact) via Chris Ladner. misSHN in the rain, 2/04. FLAC  

Bonnie Raitt http://www.bonnieraitt.com
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/29/70 Philadelphia Folk Festival - Schwenksville, PA A- Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** Also Philadelphia Folk Festival Sets From 8/28/71 And 8/25/72 0 FLAC  
2. 03/27/71 The Jabberwocky Club, Syracuse University - Syracuse, NY A- Soundboard; Reel? >1st Gen Cass Transfer: Cassette > Sony LX5 > Echo 24 >MAC >FLAC 0 FLAC  
3. 08/28/71 Philadelphia Folk Festival - Schwenksville, PA A Soundboard ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** Also Philadelphia Folk Festival Sets From 8/29/70 And 8/25/72 FLAC  
4. 02/15/72 Troubadour - Los Angeles, CA A- Soundboard Instruments In Left Channel, Vocals In Right 0 FLAC  
5. 02/22/72 The Rainbow Room - Philadelphia, PA A+ Pre-FM Reel Master >DAT Master >DAT 2 >CDR >FLAC Transfer DAT 59ES > CDRW700 > CDR (circa 1997-98) EAC > SHN (circa 2003) FLAC Conversion 09-SEPT-2005 Trade CD >FLAC (Level 8) Via xACT 2.37 1 FLAC  
6. 08/25/72 Philadelphia Folk Festival - Schwenksville, PA A- Soundboard (Some Hiss) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** Also Philadelphia Folk Festival Sets From 8/29/70 And 8/28/71 FLAC  
7. 12/02/72 Sprague Hall, Yale University - New Haven, CT A Soundboard Reel Goody Pitch-Corrected Remaster 2 FLAC  
8. 04/07/73 McDonough Arena, Georgetown University - Washington, DC A- FM Broadcast ************************************************************************ SHN >WAV FLAC + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
9. 08/25/73 Music Inn - Lenox, MA A Soundboard Trade CD >FLAC (Level 8) Via xACT 2.37 1 FLAC  
10. 12/09/73 The Record Plant - Sausalito, CA A FM Broadcast - KSAN San Francisco; Reel >DAT >CDR >FLAC (Live In Studio) Trade CD >FLAC (Level 8) Via xACT 2.37 1 FLAC  
11. 08/14/74 The Bottom Line - New York, NY A- WNYU FM Broadcast (Incomplete) ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
12. 05/14/75 Harvard Square Theatre - Cambridge, MA A- Sony ECM-99A > Sony TC-152SD FOB, microphone hand-held (Early & Late Shows) LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR 1 (W/MANUAL AZIMUTH ADJUSMTENT)> CREATIVE SOUNDBLASTER X FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) *********************************************************************** Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************** 0 FLAC  
13. 10/08/75 Fairhaven College Auditorium - Bellingham, WA A- Unknown Microphone >Sony TC-126 Lineage: 1st gen cassette>Wav(96/24)>Wav(44.1/16)>flac Transfer: 1st gen cassette>Nakamichi 670>Wavelab 96/24 Taping Gear: unknown mics>Sony TC-126 Taped By: D & D Transferred By: JEMS D & D Archives Master Series Volume 24 *********************************************************************************** Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 4.2db, Minor Edits, Re-Track On Original Index Points) >FLAC (Level 8) + Tags By OldNeumanntapr *********************************************************************************** 0 FLAC  
14. 02/29/76 Clover Studios - Hollywood, CA B+ WMMS FM Broadcast (Some Hiss) FLAC Tags Via xACT 2.50 By OldNeumanntapr 0 FLAC  
15. 04/16/76 Paradiso - Amsterdam, Netherlands A- FM Broadcast; >off-air stereo master tape >3 generations >4th generation Maxell XLII-90 cassette, Dolby B on. (Front Cover Artwork By OldNeumanntapr) Playback 2012-xx-xx ::: 4th generation Maxell XLII-90 cassette on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (fades &/or glitches, dropouts, volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper FLAC  
16. 05/24/76 Great American Music Hall - San Francisco, CA A FM Broadcast >LP >DAT Transfer: DAT>Tascam DA-20mkII > coax > Delta Dio 2496 > Wavelab 4.0a (@ 24/48) Mastering: Wavelab 4.0a > X-Noise (23.1 dB threshold & 85% reduction) + Waves L1-Ultramaximzer (-1 dB left channel + 4 dB threshold increase) > conversion to 16/44.1 > WAV > FLAC Track 1 begins muddy and indistinct, but improves quickly. Source Notes: Broadcast on KSAN. This recording came to me dated "??-??-73." It contains songs that appear on the 1975 album Home Plate and the band here also played on 1977's Sweet Forgiveness, so 1973 is almost certainly wrong. There are several hints about the correct date. Bonnie Raitt says that Taj Mahal is played at the Boarding House (also in San Francisco) that night and that Chris Smither played at the same venue, which is "my favorite club," about one year ago in February. Unfortunately, neither of those hints has helped me to find a definative date. Bonnie Raitt also says that "We just got off the road, we've been on the road since March 15, and, uh, went to England, had a [great?] time . . . and then spent the last 10 days w/ Little Feat, down through the Southeast . . . ." Finally, at the end of track 9, Bonnie Raitt mentions that there are other fans waiting outside to get into the venue, which suggests that this is an early show and that there was a second performance that night. According to the liner notes on a Bonnie Raitt bootleg called "Collections" owned by a collector in Europe, this was recorded on 05.24.76 at the Great American Music Hall and broadcast on 05.26.76, (That bootleg contains two songs that are missing from this source: Women Be Wise and You Got To Know How.) So, that's how I've dated this performance. If anyone knows for sure, please let the world know, too. Mastering Notes: The original DAT was quite noisy, though not really hissy like an analog tape. There are, here and there, tiny pops and ticks that sound very much like an LP playback, including a few rough boundaries where the recording tape started and stopped. There is also some distortion in the right channel at certain frequencies (check out the piano at the begining of My First Night Without You). None of this is very serious compared to the overall quality of the recording. I believe that this is an LP > DAT or something similar, and the background noise is a line noise added by the stereo equipment. Whatever it was, I removed it using the X-noise plugin, which required relatively a lot of reduction (23.1 dB threshold, 85% reduction). As for pops and ticks, none of them are loud and you won't notice them unless you're listening to the spaces between songs. The left channel was on average 3 dB louder than the right. I used the Waves L1-Ultramaximzer to balance the channels and increase headroom by 4 dB. 1 FLAC  
17. 04/23/77 JazzFest - New Orleans, LA A- Unknown Audience (Noisy Crowd, But Clear Sound) Recorded By Art Parr (Freezer) 0 FLAC  
18. 05/28/77 Starlight Bowl - Burbank, CA B+ Unknown Microphone >Sony TC 50 Monaural Cassette Recorded by Allen Tarzwell Unknown microphone > Sony TC-50 no Dolby > TDK Audua C-90 (master) Transferred by Mike Martin Nakamichi CR-3A no Dolby > Audigy 4 Pro @ 24/44.1 > Audacity (edit and covert to 16 bits) > Tracked with CD Wav > Flac (Level 8) 0 FLAC  
19. 07/20/77 Wolf Trap - Vienna, VA A- FM Broadcast >Reel Master @ 7 & 1/2 ips >DAT >CDR >FLAC Transfer; Sony 60ES DAT > M-Audio Audiophile USB > CDWAV > Goldwave (fades and minor edits, resampling to 44.1) > CDWAV (tracking and flac conversion) Notes: Sound A-. Performance A+. There is a small amount of FM noise throughout. It is not enough to be distracting. [Trade CDs >FLAC (Level 8) Via xACT 2.37] This selist is more complete than what is listed in etree. 2 FLAC  
20. 08/27/78 Music Inn - Lenox, MA A- Unknown Audience Dragon Dolby-out >Audacity Beta 1.3.13 >flac 16/44 >TLH-sbe-fix,files. dc offset, 9KHz<+3dB. Comment A+ show/A- sound. show is 93 min. taperchuck3 0 FLAC  
21. 07/05/79 Orpheum Theater - Minneapolis, MN A- King Biscuit FM Broadcast; 3.75 ips Reel From The JEMS Archive 0 FLAC  
22. 08/08/80 Creative Music Studio - West Hurley, NY A Sony D50 Microphone >Sony TC-158SD Cassette Nakamichi Dragon/b > Benchmark ADC1 24/96 Fresh Transfer - Rob Berger 7/2016 ******************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************** 0 FLAC  
23. 08/09/80 Woodley Park, Anti-Nuclear Rally - Van Nuys, CA A- Senheiser MKH 404 tu Condensers >Sony TC-D5M w/Dolby B Copy: (1980) Akai GX 570 D2 w/ Dolby > Revox B77 using a Maxell UD35-90 Transfer: (2015) Revox B77 > TEAC AN-60 Dolby > Korg MR2000-s @ 1 bit, 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > iZotope RX4 advanced and Adobe Audition 3.0 (prep and track splits) > AudioGate Aqua (16-44) > TLH (flac level 8) Song information embedded with Stamp ID3 tag editor Prep included: Volume and balance adjusted. Real loud up close claps removed using Adobe Audition's "Healing" tool Some dropouts were found and were patched from the opposite channel when possible. DC offset correction. Recorded on a smoking hot Saturday afternoon in the San Fernando Valley section of Los Angeles. A free concert in the park to raise awareness about plans for nuclear waste storage at the Chatsworth Rockwell site. Bonnie also mentions how Woodley Park has become an unsavory place after dark and needs attention. Recorded by the Los Angeles tape eXchange team minus me as I had to work on Saturdays. The balance kept shifting throughout the recording. A result of recording in a crowd and microphones being moved around a bit. Volume levels and balance adjusted to try and keep the music centered as best I could. For historical reference only and not intended for resale or any commercial use. enjoy -M- (July 2015) A FLYING M PRODUCTION FAN RECORDINGS FOR COLLECTORS 0 FLAC  
24. 02/06/83 Fremont Theater - San Luis Obispo, CA A FOB: Audio Technica AT-801 Omnis >Sony TC-D5 Cassette Master >CDR Via: Nakamichi CR-3A >Luxman EQ G111 >M-Audio 2496 >CoolEdit >CdrCue >Cdrwin Trade CD >Extracted To One-Track WAV Via Via xACT 2.37> Sound Forge Pro 10.0a (Minor Edits & Normalize) >iZotope RX3 Advanced v3.00.695 (Declick) >Audacity (Track Splits) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded & Transferred By Lee Soundforge Post Processing By Dennis Orr Audacity, FLAC & Tags By OldNeumanntapr 1 FLAC  
25. 02/13/85 The Catalyst - Santa Cruz, CA A 2nd Generation Soundboard Tape (Maxell XLII-S) >Tascam 130 Cassette Deck >Edirol R-44 >SD Card >iMac >Audacity >WAV File >xACT >FLAC (Minor Hiss) ***************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ***************************************************************** 0 FLAC  
26. 04/20/85 Manor Downs - Austin, TX A- Beyer M201's x/y behind SBD ~140 feet from stage 8 feet high >Sony TCD5M (Maxell UDXLII 90) no Dolby Transfer: SonyKCA650ES > Echo Gina 24 @ 16 bit/44.1 Khz > Macintosh G-4 dual 633 using PEAK BIAS VST 2.58 editing software > Adaptec Toast > Matshushita CD-RW 7808 internal burner; EAC to Windows 7; flac level 8 TLH (Some Wind Noise. Set Stopped Because Of Rain) 0 FLAC  
27. 06/06/85 Rockefeller's - Houston, TX A Soundboard; Cassette Master (Early & Late Shows) Played back with Dolby B on a Nak Dragon through an Avid MBox Mini III into a PC running Audacity 2.3.3 software > Audition (Levels adjusted; Track splits, fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) foobar2000 (tags) 0 FLAC  
28. 09/02/85 The Starry Night - Portland, OR A Soundboard; 3rd Gen Cassette (Sony TC-D5M Playback) >CDR >FLAC End Of Show Is Cut 1 FLAC  
29. 09/14/85 Santa Cruz County Fair - Watsonville, CA A Soundboard; Sony TC-D5M (Maxell MX-90s) w/Dolby B Encoded Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
30. 11/11/85 Rockefeller's - Houston, TX A- Soundboard; Unknown Cassette Generation (Minor Hiss) Cass I Transfered: Sony WM-D3 >SB X-Fi Soundcard >Jet Audio (16/44.1k) >CDWave >FLAC (Level 8) Trade FLAC >Audacity (Joined Tracks To Single Track WAV File, Amplify, Normalize, Track Splits, Removal Of Extraneous [Duplicated] Song / Tracks, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded By Unknown Transferred By Unknown Audacity, FLAC’d, & Tagged By OldNeumanntapr 0 FLAC  
31. 07/30/86 The Coach House - San Juan Capistrano, CA A- Soundboard: Cassette Master >Cassette 1 (Nakamichi Dragon / Dolby C) >CDR >FLAC (Minor Hiss) Trade CDs >FLAC (Level 8) Via xAVT 2.37 2 FLAC  
32. 09/06/86 Mann Music Center - Philadelphia, PA A AKG 414s (Cardioid Setting) >Sony TC-D5M Analog Master > Nakamichi CR7A > > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > Adobe Audition 7 > xACT 2.36 > FLAC (Level 16) Taper : Tom The Taper Transferred & Uploaded: edtyre Everything Else : Nicky C Opened For John Fogerty 0 FLAC  
33. 03/05/88 Rockefeller's - Houston, TX A+ Digital Soundboard [Late Show (w/Johnny Lee Schell)] Transfer Otari DTR-8S >S/PDIF >Korg MR2000-S (16bit/48khz) Har-Bal 3.0 & iZotope RX6 advanced (prep) -M- (Feb 2018) WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.44 By OldNeumanntapr 0 FLAC  
34. 07/01/88 Olympic Center - Lake Placid, NY A+ Soundboard, Master Cass Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) Edited & mastered w/ Audacity by Joe Noel December 11, 2018 ********************************************************************************* Trade FLACS >WAV >Audacity (Downsample To 16bit/44.1kHz) >FLAC Level 8 + Tags By OldNeumanntapr ********************************************************************************* 0 FLAC  
35. 07/04/88 The Tabernacle At Oak Bluffs - Martha's Vineyard, MA A Neumann KMF4's >Sony TC-D5M >Soundforge >WAV >FLAC >CDR >FLAC (With Johnny Lee Schell) Trade CD >FLAC (Level 8) Via xACT 2.37 1 FLAC  
36. 07/26/88 Valley Forge Music Fair - Devon, PA A AKG 414s (Cardioid Setting) >Sony TC-D5M Analog Master > Nakamichi CR7A > > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > Adobe Audition 7 > xACT 2.36 > FLAC (Level 16) Taper : Tom The Taper Transferred & Uploaded: edtyre Everything Else : Nicky C 0 FLAC  
37. 07/29/88 Rhodes On The Pawtuxet - Cranston, RI A- Single Nakamichi CM 300 CP-1 >Sony WM-D6C (w/Dolby C) XLII (Recorded, From Balcony, & Transferred By Scott Norman) Transfer: Nakamichi BX 300 (Dolby C Engaged & Azimuth Adjusted) >Tascam CDRW2000 >WAV > Wave Pad Sound Editor >EQ (Lowered Boomy Bass and Increased Flat High End) Trade FLACs >WAV Via xACT 2.37 (Change File Names To Reflect Etree Standards) >FLAC (Level 8) By OldNeumanntapr 0 FLAC  
38. 04/16/89 Paradiso - Amsterdam, The Netherlands A FM Broadcast, TDK SA 90   0 FLAC  
39. 05/21/89 Bogart's - Cincinnati, OH A Soundboard; Cassette Master >Reel II Transferred: M-Audio Transit >Cool Edit >CD Wave Editor >FLAC 2 FLAC  
40. 06/11/89 John M. Greene Hall, Smith College - Northampton, MA A Soundboard   0 FLAC  
41. 07/29/89 Luther Burbank Center - Santa Rosa, CA A Neumann KM-84i's (x/y) >BlackBox >Panasonic SV-250 (Recorded By Daspy Knows From Lip Of Balcony, Center) Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
42. 11/15/89 Santa Monica Civic Center - Santa Monica, CA A FOB: Audience Cassette Master [Wonder Deck] >CDR >FLAC TDK SA-X 90 Master Transferred Via: Sony TC-D5M >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.37 Recorded By Rick Williams Transferred & Converted To FLAC By OldNeumanntapr 2 FLAC  
43. 12/21/89 Madison Square Garden - New York, NY A Soundboard Trade CD >FLAC (Level 8) Via xACT 2.37 (Missing 'Willya Woncha') 1 FLAC  
44. 12/31/89 Oakland-Alameda County Coliseum Arena - Oakland, CA A- OTS: Nakamichi CM-300's w/CP-4 Shotgun Capsules >Sony WM-D6C (XLIIS) Audience Master Transferred: Sony TC-D5M >HHb CDR 800 PRO CD Master >FLAC (Level 8) + Tags Via xACT 2.37 Recorded, Transferred, FLAC’d & Tagged By OldNeumanntapr 1 FLAC  
45. 12/31/89 Oakland-Alameda County Coliseum Arena - Oakland, CA A Soundboard   1 FLAC  
46. 08/12/90 Veteran's Memorial Park - Manchester, NH A+ PCM Digital Audience; Two Schoeps Microphones (Model Unknown) >Nakamichi PCM F1 >VHS >CDR >FLAC Transfer and FLAC encoding by David Minches: Master played back on Sony SLV-688HF>Sony PCM-601>Digital Domain VSP> Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
47. 09/21/90 Shoreline Amphitheater - Mountain View, CA A Nakamichi CM-700's >RBox >DAT Recorded From Section 102 Rows K,L, M or N Dead Center Transferred By Nick C Using Sony TCD-D7 >Edirol R-44 Via S/PDIF Coax Digital (88 Minutes) 2 FLAC  
48. 09/28/90 Universal Amphitheatre - Universal City, CA A FOB: Sony ECM-909 Stereo Cardioid >Sony WM-D3 Cassette Master >CDR >FLAC TDK SA90 Master* Transferred To CDR Via: Sony TC-D5M >HHb CDR 800 PRO CD Masters >FLAC (Level 8) Via xACT 2.37 *Master Was Borrowed For Transfer Recorded By Rick Williams Transfer & FLAC By OldNeumanntapr 2 FLAC  
49. 11/16/90 Shrine Auditorium - Los Angeles, CA A Audio Technica AT-853a Cardioids >AIWA HD-X1 DAT Master >VHS I >CDR >FLAC Christic Institute Benefit Trade VHS (Audio) Transfered: Mitsubishi HS-U59 >HHb CDR 800 PRO Via Analog i/o. CD Masters >FLAC (Level 8) Via xACT 2.28. (Recorded By John Lech. Incomplete, Due To Being Busted For Taping. Fortunately, A Sleight-Of-Hand Saved The DAT.) Filed With Jackson Browne 11/16/90 Love Me Like A Man Angel From Montgomery The Road’s My Middle Name Nobody’s Girl Thing Called Love 1 FLAC  
50. 07/10/91 Montreux Jazz Festival - Montreux, Switzerland A Soundboard w/Guests John Hammond On Harmonica And Charles Brown On Piano And Vocals On Some Tracks 1 FLAC  
51. 10/19/91 Universal Amphitheatre - Los Angeles, CA A FOB: Audience Cassette Master: Sony ECM-909 Stereo Cardioid >Sony WM-D3 >CDR >FLAC TDK SA-X90 Master Transferred To CDR Via: Sony TC-D5M >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.37. Tags Via xACT 2.37 Recorded By Rick Williams Transferred and Tagged By OldNeumanntapr 2 FLAC  
52. 04/21/92 Municipal Auditorium - Eureka, CA A Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
53. 06/24/92 Ohne Filter Musik Pur - Baden-Baden, Germany A+ Satellite Digital FM >Sony DTC-790 DAT > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > resampled to 44.1 khz in r8brain Pro > FLAC   0 FLAC  
54. 09/19/92 County Bowl - Santa Barbara, CA A- 4th Row Audience Cassette Master (Wonder Deck) >CDR >FLAC XLII 60 Master Transferred to CDR Via: Sony TC-D5M >HHb CDR 800 PRO CD Master Extracted With xACT 2.24 WAV >FLAC (Level 8) + Tags Via xACT 2.37 Recorded By Rick Williams Transferred, FLAC’d & Tagged By OldNeumanntapr (Music Is Clear But Some Crowd Noise) Master Was Borrowed For Transfer 1 FLAC  
55. 09/20/92 The Flag Is Up Farms - Solvang, CA B+ Front Row, Right; Nakamichi CM-300 CP-1 Cardioids >Sony WM-D6C XLIIS Cass Master (No NR) >CDR >FLAC (Recorded, Transferred, FLAC’d & Tagged By OldNeumanntapr) Microphones Kept Low To Avoid Detection. XLIIS Cassette Master Transferred: Sony TC-D5M >EQ>HHb CDR 800 PRO CD Master Extracted With xACT 2.37 >WAV >FLAC (Level 8) + Tags Also, Performances By Jim Messina And Jackson Browne 1 FLAC  
56. 10/11/92 Shoreline Amphitheatre - Mountain View, CA A Nakamichi CM-300s w/CP-2 Omni Capsules >Sony WM-D6C Cassette Master (Recorded By OldNeumanntapr) Recorded Under Lawn Repeater Towers, Left Side. XLIIS Master Transferred: Sony TC-D5M > Tascam DR100mkII (24bit/48khz) Mastered by Flying -M- (January 2021) Har-Bal 3.0 & iZotope RX 8 advanced > Goody* > CD Wave > Korg Aqua (16-44) > TLH (flac level 8) * Goody: Capstan speed stabilization and various adjustments Billed as "Healing The Sacred Hoop - The Next 500 Years" A benefit for the International Indian Treaty Council Sunday's show also featured performances by Don Henley, Todd Rundgren, Little Feat, Ry Cooder & David Lindley, Cris Williamson, and Floyd "Red Crow" Westerman 0 FLAC  
57. 10/11/92 Shoreline Amphitheatre - Mountain View, CA A+ FOB: (SEC 102): Schoeps CMC 5 w/MK-4 Cardioid Capsules >Panasonic SV-255 (16 Bit/48k) DAT Master >DAT I >([Late '92], Digital Clone With Unknown DAT Recorders) >[2013-06-28] >Fostex D5 DAT (Playback Of DAT Clone, S/PDIF Optical Out) >M-Audio Firewire Audiophile External Soundcard Sony Sound Forge 9.0e Build 441 (Record, Trim, Save to FLAC level 8 via libFLAC v1.1.4 20070213) 1 FLAC  
58. 06/01/94 E-Werk - Cologne, Germany A Soundboard Rockpallast 0 FLAC  
59. 08/27/94 Minnesota State Fair - Minneapolis, MN B+ Radio Shack Omnis->Sony TCD-D7 (12th Row, Left) Wind Noise 1 DAT  
60. 09/09/94 Redwood Empire Fairgrounds - Ukiah, CA A FOB: Sonic Studios DSM-1S/X >Sony TC-D5M (TDK-MX110 metal tape) (Dolby On - Limiter Off) Recorded 20 Feet From Stage, Dead Center, Transfer: Analog Cassette Master (Original Record Deck)(Dolby Off) > PreSonus Inspire GT > Sound Forge > .WAV Files > Trader's Little Helper > FLAC and ffp files 2 FLAC  
61. 10/13/96 Avila Bay Resort - Avila Beach, CA A Nyquist Omnis->Sony TCD-D7 (Recorded By OldNeumanntapr) Digital Audience Master; (8th Row, Center) [DAT Master Transferred Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o] Also, Jackson Browne, Don Henley. 1 FLAC  
62. 06/11/97 Smith College - Northampton, MA A Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.37 2 FLAC  
63. 05/28/98 Orpheum Theatre - Minneapolis, MN A 2nd Row Center; MarcSound Omnis >Sony TCD-D7 (Recorded By Tom Jorgensen/Transferred By OldNeumanntapr) Trade DAT (1st Clone) Transferred: Sony TCD-D8 >S/PDIF >Tascam DR-100mkII (16/48), WAV >Audacity (Track Splits & Down Sample 16/44.1) >FLAC (level 8) Via xACT 2.28 2 FLAC  
64. 05/16/02 Austin Convention center - Austin, TX A Satellite Feed > DVD   0 FLAC  
65. 05/22/02 Ruth Eckerd Hall - Clearwater, FL A ALD Soundboard; Sony TCD-D8 (Williams Sound Box--From The Parking Lot) Sony PCM-M1 DAT > PC > CDR >EAC > WAV >FLAC 0 FLAC  
66. 09/23/02 Greek Theatre - Los Angeles, CA A- Assisted Listening Device / Soundboard   0 FLAC  
67. 11/22/06 Dodger Stadium - Los Angeles, CA A Schoeps MK 41 Hyper Cardioids >NBox >(Oade Mod) SBM-1 >PCM-M1 (Recorded By 'Josephine') Opened For The Rolling Stones 0 FLAC  
68. 09/27/08 Paramount Theatre - Oakland, CA A- SP=CMC-18 > Edirol R 09 > Audacity > FLAC Frontend V1.7.1 Seva Foundation Benefit FLAC  
69. 09/14/12 Greek Theater - Berkeley, CA A FOB: Schoeps MK-4s >NBox >Tascam DR-2D (24/48kHz) Recorded Section C, Row 9, Seat #3 1 FLAC  
70. 09/22/12 Greek Theater - Los Angeles, CA A Soundboard / Audience Matrix   0 FLAC  
71. 10/04/13 Hardly Strictly Bluegrass Fest - Golden Gate Park - San Francisco, CA A Schoeps MK4s >NBox >Tascam DR100 (24bit/48khz) Recorded By Daspyknows Appx 60 Feet From Dead Center On Middle Rail. Processed Using Soundforge 10b, Down Sample To 16bit/44.1khz TLH To Convert To FLAC. Files Sent Privately By Daspy 0 FLAC  
72. 10/09/13 Marin Civic Center - San Rafael, CA A FOB: Schoeps MK-4's >NBox >Tascam DR-2D (24/48) Recorded From 10th Row, Five Seats Left Of Dead Center WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.35 2 FLAC  
73. 12/03/13 Ruth Eckerd Hall - Clearwater, FL A FOB: Schoeps MK5 Cardioids >Nbob Actives >Naiant Tinybox >Sony PCM-M10 Recorded By DATfly, Second Row, In Line With Stage-Lip Wedge. 0 FLAC  
74. 07/05/14 Grandview Park - Sioux City, IA A Schoeps Mk5's (cardioid position/ ORTF pattern) > active cables > Nbox > Edirol R-05 @ 24/48. Recorded on a 5' mic stand FOB/DFC. Transfer: Emtec 16GB SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > Trader's Little Helper > FLAC24. FLAC >WAV >Audacity (Down Sample To 16bit/44.1khz) >FLAC (Level 8) Via xACT 2.47 By OldNeumanntapr Recorded and transferred by perks. 0 FLAC  
75. 05/23/15 Aptos Village Park - Aptos, CA A FOB: Schoeps MK4s >NBox >Tascam DR-2D (24/48) Recorded 12th Row, Dead Center, Circle Of Gold Seats By Daspyknows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr 0 FLAC  
76. 05/24/15 Avila Beach Resort - Avila Beach, CA A Neumann AK-40s (ORTF In Hat) >LC3 >KM-100s >Beyer MV-100 >Tascam DR-100mkII (24/48) Recorded 7th Row, Slightly Right Of Center. WAV >iZotope RX3 Advanced v3.00.695 (declick) >Audacity (Track Splits, Minor Edits. Amplify, Down Sample / Dither To 16 Bit/44.1k) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 Recorded, Transferred, FLAC’d & Tagged By Oldneumanntapr. iZotope RX3 Advanced v3.00.695 (declick) By Dennis Orr. 0 FLAC  
77. 04/23/16 Fox Theater - Oakland, CA A Schoeps MK4s >NBox Platinum >Tascam DR-2D (24bit/48khz) (Recorded, And Transferred, By Daspyknows 6th Row Orchestra Pit A Few Seats Off Dead Center) Processed Using Soundforge 11, Resample, To 16bit/44.1khz. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.37 0 FLAC  
78. 09/24/16 Greek Theatre - University of California - Berkeley, CA A+ FOB: Schoeps MK4s >NBox >Tascam DR-2D (24bit/48khz) (Recorded By Daspyknows: 10th Row Pit, Three Seats Off Center Aisle) WAV Files Sent Privately By Daspy. WAV >FLAC Via xACT 2.27 By OldNeumanntapr 0 FLAC  
79. 02/25/17 Civic Auditorium - Santa Cruz, CA A- Schoeps CCM4s >Tinybox >Sony PCM-M10 ********************************************************************************* FLAC >WAV >Audacity (Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************************* FLAC  
80. 03/24/17 A&B Amphitheater at the MACC - Kahului, Maui, HI A Audio Technica AT-933's >Battery Box >Sony PCM-M10 (24bit/48kHz) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** FLAC  
81. 03/20/18 Fox Theater - Oakland, CA A+ Schoeps MK 4s >NBox Platinum >Tascam DR-2D (24bit/48khz) [Recorded 13th Row, 7 Seats Off Dead Center, And Processed Using Soundforge 11, Resample To 16bit/44.1K By Daspyknows.] WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.44 By OldNeumanntapr 0 FLAC  
82. 07/15/18 Hyde Park - London, UK A FOB: Schoeps MK4s >NBox >Tascam DR-2D (24bit/48kHz) Recorded By DaspyKnows. WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) Via xACT 2.48 By OldNeumanntapr 0 FLAC  
83. 07/20/18 Piazza Napoleone - Lucca, Italy A Sony ECM 717 Stereo Cardioid >Zoom Transfer: .wav file > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (edit) > xACT 2.39 > FLAC (Opened For James Taylor) 0 FLAC  

Bonnie Raitt & Friends  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 12/19/98 Berkeley Community Theatre - Berkeley, CA A Core Sound Binaurals >Battery Box >Sony TCD-D100 DAT Master >Phillips CDR 670 CD Recorder (w/Hutch Hutchinson) Trade CD >FLAC (Level 8) Via xACT 2.37 1 FLAC  
2. 01/23/10 Fox Theater - Oakland, CA A Schoeps MK4s >NBox >Tascam DR100 (24bit/48kHz) (A Tribute To Norton Buffalo) Recorded By DaspyKnows, 2nd Step, DEAD Center Soundforge 10.0B To Track Split And Resample WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr 0 FLAC  

Bonnie Raitt & Taj Mahal  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/16/09 Paramount Theater - Oakland, CA A Schoeps MK4s >RBox >Tascam DR100 (24bit/48kHz) Recorded By DaspyKnows FLAC Files Sent Privately By Daspy FLAC >WAV >Audacity (Combine Tracks To A One-Track File, De-Amplify By .2db To Eliminate Clipping, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr 0 FLAC  

Jackson Browne, Shawn Colvin, Bruce Hornsby & Bonnie Raitt  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 09/15/99 Santa Barbara County Bowl - Santa Barbara, CA A+ Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >Sony TCD-D7 (Recorded, Transferred, & FLAC'd By OldNeumanntapr) Digital Audience Master; 18th Row, Left; DAT >CD Transferred Via Tascam DA-P1 >S/PDIF Coax >HHb CDR 800 PRO. [CD Masters Transferred With xACT 2.24 >WAV >FLAC] 3 FLAC  
2. 09/18/99 Concord Pavilion - Concord, CA A Unknown DAUD (Missing David Lindley & Wally Ingram's Opening Set) 3 FLAC  
3. 09/18/99 Concord Pavilion - Concord, CA A+ 2 modified Neumann KM 254 Microphones > DAT (Either Sony TCD-D8 Or Tascam DA-P1) (INCLUDES Lindley Set) ~ A Bigfoot Recording ~ recorded and mastered to cdr by Sandy - aka "Bigfoot" Lineage is a guess based on other verified lineage Bigfoot recordings from around the same time period. Transfer: digital out > Sek'd Prodif Plus > Sound Forge > CD Architect > cdr cdrs made by Sandy given to D5scott > EAC > .wav files > Trader's Little Helper > flac files 0 FLAC  
4. 09/25/99 The Gorge Ampitheatre - George, WA A+ Unknown Digital Audience Last Night Of Tour 4 FLAC  

Marty Grebb Benefit  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 05/27/15 Canyon Club - Agoura, CA A Schoeps MK4s >Actives >NBox Platinum >Sony PCM-M10 Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Location: Left Center Recorded by Scooter123 0 FLAC  

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